Kiss of the Damned

Kiss of the Vampire

After a one-week engagement at the Landmark Midtown, Xan Cassavetes’ film Kiss of the Damned has returned to Atlanta’s Plaza Theater. A love letter to the 1970s erotic horror films of directors such as Jess Franco and Jean Rollin, it mines the same vein of oneiric, melancholy poetry, but with a somewhat bigger budget and somewhat better cinematography, script and actors.

A vampire living in a country house outside of New York, Djuna (Joséphine de La Baume) encounters the handsome mortal Paolo (Milo Ventimiglia), but rebuffs his advances since she does not wish to harm him. However, Paolo is thoroughly smitten and insists on a romantic relationship with her even after he learns the truth. Djuna introduces him to the nighttime world of vampirism, but their romance is threatened by the arrival of Djuna’s unscrupulous sister Mimi (Roxane Mesquida).

I admire Xan Cassavetes for taking the material seriously. It would be altogether too easy to approach the genre through  camp or snarky parody. Thankfully, she doesn’t wink at the audience like Quentin Tarantino does when he makes his Seventies references. The dialogue at times seems vaguely stilted, but it is clear that this, combined with the heavily accented lead actresses, is part of the aesthetic that Xan Cassavetes wants to evoke. The cast is attractive and the sex scenes generate real erotic heat. While the film focuses more on mood and character relationships more than horrific thrills, the nighttime hunting scenes are tense and well-executed.

Ultimately, one could argue that Kiss of the Damed lacks the perverse flights of imagination that give the films of Franco and Rollin their distinctive personality. For instance, Franco’s Vampyros Lesbos (1971) goes much further in the direction of surrealism and Rollin’s Lips of Blood (1975) reveals deeper psychological insights. Still, is is the best vampire film I have seen in some time. This is Xan Cassavetes’ first feature film–previously she directed the documentary Z Channel: A Magnificent Obsession (2004)–but I am eager to see what she does next.


About James Steffen

I'm currently the Film Studies and Media Librarian at Emory University in Atlanta. Although my primary passion and expertise is in film, I also love literature, music and other arts.
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